When we first visited the site, what struck us the most was that after emerging from a narrow alley, an extraordinary view opened up toward one of the slopes of the Tepozteco mountain range. These rock formations are emblematic of the region, and the land ends precisely at the base of this dramatic topography. From the very beginning, one of our main concerns was to ensure that every room—whether for gathering or resting—could enjoy this privileged view.
Function as an insert, not a rebuild - The original envelope remains; a lightweight core delivers the restaurant programme. Conceived as an independent module built entirely in timber, it is not intended to be immediately reversible in situ, but is designed for future demounting without harm to the historic shell.
The OneTwoHouse (German: EinZweiHaus) is a residential building whose exterior form creates an optical illusion: Although it appears to be a semi-detached house, it is in fact a single-family home. The staggered volumes and symmetrical façade create the impression of two separate units that are, however, united under one roof.
In the translation of three-dimensional reality onto a two-dimensional plane, axonometry stands as one of the graphic systems of representation that form the foundation of the language used by architecture and design professionals. Alongside plans, sections, and elevations, its exploded views often stand out for their ability to study the multiple layers that compose a project. Although axonometry is also employed in other disciplines such as engineering and urban planning, it consistently proves its capacity to function as more than a mere representational tool, strengthening the understanding not only of a project's construction processes, materials, and structural systems but also expanding the communication of the ideas and design processes that shape a project.
The project is a renovation project which located in Xianjing Village, Baita Town, Xianju County, Zhejiang Province. From the village, one can directly overlook the Fanzeng Peak in the southwest. Relying on the beautiful natural scenery of the Shenxianju mountains, the town government hopes to transform Xianjing Village into a sketching art village. They entrusted us to renovate the abandoned primary school, hoping to attract young art students and artists to come to the village, stay and do some sketching nearby. The Youth Artist's Dormitory is named as "Qingyi Lodge".The main building of the village primary school was originally a two-story brick-concrete structure constructed in the 1970s-1980s. We hope to retain the form of the old school, but bring new life to it.
From building codes to mobility restrictions and new diplomatic roles within city governments, climate policy is increasingly being shaped at the local level through a widening range of legislative and institutional tools. Cities as varied as Sydney, Boston, New York, Paris, Miami, and dozens across Latin America are adopting targeted strategies that reflect their distinct environmental pressures and governance structures. These initiatives range from all-electric and net-zero construction requirements, to traffic-control measures designed to curb the social costs of private vehicle use, to emerging forms of urban diplomacy that coordinate responses to rising temperatures and biodiversity loss. Together, these approaches illustrate how territorial management is evolving in response to the accelerating climate crisis, and how local governments are experimenting with regulation and collaboration to confront challenges that are at once global and deeply place-specific.
Residence AV is a courtyard house located in a dense residential neighborhood in Bruges, Belgium. Designed by YAMA architects, the project responds to a paradoxical brief: a strong desire for connection to the surrounding context combined with an equally strong need for privacy. The client, living alone, was attracted to the social presence and perceived safety of the neighborhood, yet sought a dwelling that could withdraw from direct views and support a more introspective way of living.
Serpentine has announced LANZA atelier as the designer of the Serpentine Pavilion 2026, marking the 25th edition of the annual commission. Founded by Isabel Abascal and Alessandro Arienzo, the Mexico City–based studio was selected to realise the Pavilion titled a serpentine, which will open to the public at Serpentine South on 6 June 2026. As part of the anniversary programme, Serpentine will collaborate with the Zaha Hadid Foundation, recognising Hadid's role as architect of the inaugural Pavilion in 2000 and reaffirming the Pavilion's legacy as a platform for architectural experimentation.
Located in a southern sloping Vancouver neighbourhood, the mid-century house is one of the few remaining bungalow-scaled homes in a part of the city where larger lots were desirable for the construction of larger houses in the 1980s and 90s. The 1 ½ story house, both designed in 1952 and renovated in 1982 by the Canadian Architect Ron Thom, sits beneath a mature canopy of cedars, maples, and dogwoods. The home's spaces are sheltered under staggered planes of 3x6 cedar roof decking, with the living space guarded from the street by a concrete brick hearth with clerestory and terrace glazing opening the house to the south.
Juna Restaurant sits on Jalan Arjuna, Ubud, on an elevated site. The plan follows the land's contours. Spaces are arranged to frame internal views and a west-facing outlook toward the river and rice fields, bringing the landscape into the dining area.
In a landscape where aspiration quietly waits, Granthalay emerges as a sanctuary for learning—gathering people, knowledge, and place into a shared civic moment. Granthalay is conceived as a civic institution that extends beyond the conventional idea of a library, responding to the acute lack of educational and community infrastructure in the district of Chhatarpur. Commissioned by the Government of Madhya Pradesh, the project aims to serve students, aspirants, senior citizens, and the larger local community, including users from surrounding towns and villages.
At once rational and poetic, the Syncube House was conceived as a spatial framework aligned with the rhythms of modern family life. Designed for a client already familiar with GeTs Architects' work, the brief called for a home that combines functionality, clarity, and comfort within a relatively compact space. The design responds with a clear organizational structure across four levels, accommodating a comprehensive program; five bedrooms, a service bedroom, two living rooms, a gym, two kitchens, and utility rooms.
This House is located in the middle of a “hualles” and “ulmos” forest with the Colico Lake in the background. In order to achieve a minimal environmental intervention, the house sits on a base that allows wild flora to grow through it.
The Flamboyant House emerges from a dialogue with a partially occupied territory. Situated on a 3,000 m² plot, the proposal begins with the recognition of three significant pre-existing elements: a constructed "L"-shaped house, an existing swimming pool, and a large flamboyant tree on the site. These conditions are not treated as limitations but embraced as structuring elements of the project, guiding decisions regarding placement, volumetry, and spatiality.
Será at Sandy Ridge sits quietly among the rolling hills of West Virginia, where dense forest and open sky define the landscape. Designed and developed by DVN Development, the project embodies a modern yet deeply contextual approach to rural architecture. One that draws its language directly from nature.
The main idea behind the house design was to fit an extensive functional program into a long plot bordering the Wielkopolska National Park while maximizing daylight in as many living spaces as possible. This resulted in an elongated form composed of three overlapping, truncated volumes. An equally important goal was dividing the house into lifestyle-based zones so that, despite its size, it would not dominate the surrounding development. Through careful layout and use of local conditions, the house blends naturally into its context.
How did a material conceived for bridges, factories, and large-scale structures make its way to the living room bench, the apartment bookshelf, the café table? For centuries, metal was associated with labor, machinery, and monumentality—from the exposed structures of 19th-century World’s Fairs to the productive logic of modern industry. Its presence in domestic interiors is not self-evident but rather a cultural achievement: the transformation of an industrial material into an element of everyday, intimate use, in close proximity to the body.
Conceived as a fully timber-framed new build, the three-story, three-bedroom house is defined by curves – circular windows, gently sloping walls, and a calm flow between floors. Both playful and functional, it is an expressive example of creative architecture built with care and a light environmental footprint.
The Nobel Foundation has revealed the first design proposal for the new Nobel Center, a public cultural and educational institution dedicated to science, literature, and peace. Designed by David Chipperfield Architects Berlin, the project will be constructed along Stadsgårdskajen at Slussen in Stockholm, with construction scheduled to begin in 2027 and completion planned for 2031. Conceived as a permanent home for the activities surrounding the Nobel Prize, the building aims to make the work of Nobel Prize laureates accessible to a broad public through exhibitions, public programs, and interdisciplinary exchange, positioning the center as both a civic landmark and an international point of reference.
The new Prodis headquarters is located in old industrial buildings that were originally part of the Vapor Cortès. The buildings are made up of the traditional perimeter structure of ceramic brick load-bearing walls following a regular rhythm of pilasters and openings every 3 meters. The 12-meter span of the buildings is covered by wooden trusses -some quite affected by roof leaks- that follow the same rhythm as the pilasters. The roof also follows the traditional structure of wooden straps and battens topped with Arabic tiles.